Year: 2012
Director: Quentin
Tarantino
Cast: Jamie Foxx,
Christoph Waltz, Leonardo DiCaprio, Samuel L. Jackson, Kerry Washington
Before I begin my
review….
Tarantino.
Where do you go from that name? His directorial style is one
of the most recognisable in this day and age. He is one of a kind. He is able
to do things in his movies that if other people attempted to do, they would be
criticised till the cows come home. Yet, when Quentin Tarantino does it, it is
considered genius.
Tarantino’s last two films, Inglorious Basterds and Django
Unchained have taken him in a new direction with his film making. He does
historical films in such a unique way. He doesn’t neglect what makes his film
making style recognisable and remembers that making a film is about
entertaining as well as informing. Both of the mentioned films are quirky in
the Tarantino way, but quirky when you are Tarantino means brilliant.
Honestly, this is one film I would love to see win Best
Picture at the Academy Awards. I think
it has everything it takes to win. So it aches to say that I don’t think it is
the winner, even though I would love it to be. It may just still be a little
too extreme to win. However, it definitely is one of the best films of the year
and there are no complaints about it being one of the nine films nominated.
This being said, I think it is a certainty to win Best
Writing, Screenplay Written Directly For Screen. Yes, Tarantino did win this
award at the Golden Globes so chances are good for him, but it is an amazing
script. Brilliantly written and a verbal dream.
Another name which is right up there is an Oscar contender
is Christoph Waltz for Best Supporting Actor.
His main competition it would seem is Tommy Lee Jones for Lincoln, but as Lincoln has yet to be released in Australia, I can’t make an
informed decision as of yet. I will say that Waltz’s performance in Django Unchained is Oscar worthy. We’ve
seen Waltz play the bad guy on a few occasions now, but here he shows his
versatility playing the good guy and does so with so much character and
charisma that when you leave the cinema, you feel like you want to go and visit
him to spend more time with that character.
26 days till the 85th Academy Awards, five more
Best Picture nominees to review.
Review
American history gets the Quentin Tarantino treatment in Django Unchained and for that we are
thankful.
Django Unchained
is thoroughly entertaining and enjoyable. It has heroes to root for and villains
to hate, a gripping story and killer script. Like any other Tarantino film,
nothing is done with subtlety. Yet, like other Tarantino films, this lack of
subtlety is what makes his films so entertaining and the art of film is not
lost on his visual extremes.
The year is 1858 and slave, Django (Jamie Foxx)is about to
become a free man. German bounty hunter, Dr King Schultz (Christoph Waltz)
takes Django under his wing to help him find a set of wanted men, but then
seeing promise in him makes him his partner for the winter. As a condition, Dr
Schultz will help Django find and free his wife, Broomhilda (Kerry Washington).
Before Django and Broomhilda can be together, they have some life-threatening
hurdles they must face all in the form of plantation owner, Calvin Candie
(Leonardo DiCaprio).
The Tarantino technique of film making makes viewing a
historical film unlike any other film in the same category. The way he
combines, in this case, brilliant dialogue by colourful characters with amazing
cinematography, crazy images and a unique musical score is an absolute winner.
It is not often you watch a historical film that has music
which is associated with the present time accompanying it and it actually works
for it. Images of slaves heading towards a plantation with rap music playing in
the background is something you know isn’t right, but it seems perfect.
The script is just brilliant. The dialogue used throughout
the film is perfect for each of the characters and very interesting to listen
to. There are some very funny lines in the film, and one scene in particular
involving cutting holes in sheets is hilarious.
The characters created by Tarantino, who also wrote Django Unchained as well as directed,
are just fantastic. All the main characters have a background and their
development is fantastic. You love the good guys and hate the bad guys. The
good guys become your friends and the bad guys your evil enemies.
Jamie Foxx is very good as lead, Django (the “D” is silent).
He is the perfect example of wonderful character development. He starts off at
the bottom of the food chain and you see him change and become arrogant, and
then changes again to ensure survival. Django becomes like a rock star who
deserves applause and cheering.
However, Christoph Waltz is in a class of his own here. Even
though he is being categorised as being in a supporting role, he outshines Foxx
in every scene he is in. He has so much charisma and is such an interesting
character. Dr Schultz was written so well by Tarantino and brought to life by
Waltz in spectacular fashion. This is one director/actor team that can do no
wrong, considering this is the second time Tarantino has directed Waltz and
could well be the second Oscar win form this partnership.
Django Unchained is
the first film in which Leonardo DiCaprio has taken on a villainous character
and proved that…yes….this man can do anything. He is terrifying. There is
nothing better than when a character is terrifying without needing a scary
physical appearance to add to this perception.
Samuel L. Jackson is one that tends to flourish under
Tarantino’s light as well. Here he is another great character. Playing Candie’s
butler, Stephen, he has hints of being a good guy, but is ultimately evil. He
is quite evil, but also provides a few giggles.
Don’t be fooled, this is Tarantino film so there is
violence. If you didn’t his earlier films because of the violence and language,
don’t think that he has changed this. There is lots of blood spilt and F-bombs
dropped, but they aren’t the centrepiece of the film and there is a great movie
around it.
Django Unchained is
Tarantino’s best film to date (which is no light comment). A quirky film in
which everything is exaggerated, but done in the most brilliant way possible.
9.5/10
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